Matthew T Grant


Tall Guy. Glasses.

Putting It Another Way: Music, Money, and Piracy

In a recent post, I talked about issues surrounding music piracy—i.e., the reproduction of music without the consent or compensation of the artist and other interested parties—in light of a column published by David Byrne in The Guardian.

In this post, I would like to put my views another way for, in the past, I fear I have too cavalierly dismissed lamentations over the rampant piracy of music.

Why should you be able to make money from musical recordings at all?

The ability to record and distribute or broadcast recordings of musical performances was until very recently in the many millennia of human music making impossible. Given the relatively brief span of its possibility, I often pondered why would anyone think that it would be forever possible, especially now that the ability to reproduce and distribute recordings has become ubiquitous and trivial.

The fact that you can magically copy musical recordings without altering their format (by, for example, going from vinyl to cassette or even cd) has changed the reality of what a recording is. It has gone from an artifact (record) to a formula, an infinitely reproducible mathematical model.

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