Matthew T Grant


Tall Guy. Glasses.

Heidegger, Hölderlin, and Ronell – or – What Sticks in the Craw

2470380695_fd41f38779_mFunny what sticks in the craw.

I was doing a search for this pamphlet, Theory of Poverty, Poverty of Theory, a strange, Situationist tract that I bought in Berkeley long ago, when I came across the abstract for Avital Ronell’s essay, “On the Misery of Theory without Poetry: Heidegger’s Reading of Hölderlin’s ‘Andenken’.”

This essay, which I have not read, “[C]onsiders the tendency among young theorists to forget or repress poetry. As symptom, the aberrant dissociation of poetry from theory reflects an increasing technicization, not to say impoverishment, of critical language.”

I won’t go into why I believe Dr. Ronell finds the dissociation of poetry from theory aberrant, or why she paraleptically equates technicization with impoverishment (especially when one could just as easily see in the study of literary theory the root-cause of its student’s quite literal impoverishment).

Instead, I will focus, briefly, on the last line of the abstract, which reads, “I zero in on the figure of ‘dark-skinned women’ in the poem ‘Andenken’ to show how philosophy is tripped up by the permanent insurrection that poetry conducts.”

First of all, as you can see in my ad hoc translation of Hölderlin below, the women are “brown” [braun], not dark-skinned. The poem “takes place” in southern France, after all, where the grape-ripening sun also tans the limbs of those laboring in the fields twixt the Garonne and the Dordogne.

Secondly, I’m disturbed by the anthropomorphic dissociation of philosophy and poetry. Philosophy and poetry don’t conduct anything and suggesting they do removes them from the historical and material contexts in which they are conducted.

Finally, and along the same lines, I take issue with the figurative use of the term “insurrection” when speaking of Heidegger’s appropriation of Hölderlin, especially given the poet’s known Jacobin sympathies. Specifically, when insurrection becomes solely metaphorical, it is not the poetical that is repressed, but the political. Read the rest of this entry »