Matthew T Grant

All generalizations are either false or tautologous.

The goal of science is to create new generalizations.

The goal of philosophy is to demonstrate that said generalizations are either false or tautologous.

Standing on the corner of College Avenue and Dryden Friday night at 1:30ish, watching undergraduates stagger around aimlessly and shout at/to each other, I turned to my friend saying, “I’m gonna call it a night, even though, frankly, there’s really no reason to stop.”

“Now you see how I’m living,” he replied.

Just a moment before he had remarked,”Alcohol is a god to them.”

But earlier still in the evening he had said, “Love doesn’t tell; it asks.”

Yesterday, in a class on “Blogging” that she was teaching as part of a course my company produced, Erika Napoletano said something to the effect that, “Nobody blogs just for the hell of it.”

My first response was: “Actually, I blog just for the hell of it.”

“This blog—an ill-organized assortment of essays, reviews, aphorisms and ephemera—serves no purpose,” I wanted to say.

But then, as I thought about it, I knew that this was mere posturing. My blog serves a very specific and, for me, crucial purpose as a space that I “own,” one where I can post and publish my views, my thoughts, and my philosophy.

In fact, I frequently motivate myself to add to this collection new thoughts, or at least newly formed revisions of old thoughts, by saying to myself, “If you really have something to say, something to teach the world, some wisdom to impart, comfort or guidance for the lost or wounded, aid and counsel to the youth, a truth that must be spoken and known, etc., you’d better put it somewhere where it might endure and, from time to time, be discovered.”

That somewhere is here.

For the Hell of it.

• The amount of money one makes is the clearest indicator of one’s value to society.
• Success or failure is solely determined by an individual’s intelligence and strength.
• Suffering results directly from one’s own personal choices.
• There are no accidents, only instances of weakness, ignorance and indiscipline.
• The purpose of the state, society and culture is to serve the interests of the powerful the most valuable individuals.

Das Ganze ist das Unwahre. – Theodor Adorno

It was some months ago now that I saw Joe Lovano and the Us Five band (pianist James Weidman, bassist Peter Slavov, who was filling in for the suddenly famous Esperanza Spalding, and drummers Otis Brown III and Francisco Mela) at the Regattabar. At the time I thought they were the best jazz band I’d ever seen. Why?

First of all, they had the most beautifully organic sound with a wild spaciousness to it. It was also like being in a bohemian atelier or beat workshop with the music bouncing and reflecting off paintings and posters, bottles and tables, windows and alleys. Or, at times, like being on a pirate ship or a fishing boat. Wood. Space. Heat. Earth. Light. Etc.

Second of all, they were playing, with real mastery and joy, also, in an early sixties/late fifties style that was disciplined and structured (in like a Mingus way) and, at the same time, casually intense and free (i.e., played with a kind of abandon verging on the wanton).

Third, there was Lovano himself. With his hat and his sunglasses and his soul patch he was the textbook jazz cat—really archetypical, man. He’s got a warm, sculpted tone, has a concept that’s dense, mellow, focused, and figured, and sometimes goes for the raggedy, fraying-into-madness sound of 1961-ish Trane (remaining, for all that, on the homage side of mimicry).

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I set up a blog on Blogspot (now Blogger) back in 2000. I haven’t posted anything there since 2009 and, frankly, my activity on said blog—universal destroyer, inc.—was pretty spotty. For example, I posted nothing at all in 2004 or 2005, bracketing this lack with six posts in ’03 and four in ’06.

I was re-reading my posts last night and was struck by several things, chief among them that I used to indulge in a highly poetical style of writing. For example:

formidable jaws gaping wide – who will clean these teeth? lambswool clotted with blood, crown and throne up-ended and shattered. a blizzard of flaming stones, a sea of ground glass. take a step. take a breath. the eyes are open. the ears are listening. what subtle words of destruction and awesome commandments of revelation await? turn away the curve of the earth. peel away the sun. behind the underneath of everything it is slumbering now. it is dreaming then. now: AWAKEN

Similarly:

plastered to the thick of it. daring to blush in anguish. several more instances of that and we will have an entire catalog. just think, us, we, the morning after the apocalypse, which everyone thinks means death and dying destruction, but, of course, the word simply means “revelation.” what do we fear to confront revealed before us? the veil rent, the bandaid removed with a quick, skin-shredding yank? as if this situation were not “real” and, when facing the brunt of the real real, we will evaporate, obliterated by this uncompromising, uncompromised force. who told us the world is not real and we have to wait and see the real thing later, after death, when the universal death leaps up onto the stage and everything be laid terrible waste? who makes brains think this way?

I was also very partial to cryptic philosophizing:

The “Temporary Autonomous Zone,” however, may be the last refuge of the slacker – or merely the dream of the quiet suburban home where anything goes as long as the doors are closed and the shades drawn (and volume is kept to reasonable levels). As the structures solidify, the gaps too become institutionalized, disciplined. Anything completely outside the system, is irrelevant to it. Think different.

Along the same lines:

The forces of chaos can only be circumscribed – no thing or agent penetrates to the heart, because, unlike order, chaos is primal, the fundamental state – order is an afterthought, epiphenomenal, and the evolving persistence of chaos demands ever increasing energy expenditure on the part of the order-worshippers. Their scheme is a house of cards. The meanings they erect are fetishes to the ego and vain ambitions. There are local victories, of course, subjugated zones, degrees of tolerance. And, naturally, what has been done, will always have been done – this is the nature of occurence. But the goal to which they aspire – permanent, unassailable control – is an illusion, though it can be real enough in specific, timebound circumstances.

Indeed, I frequently wrote about chaos, ethics, and nihilism back then, as well as the war on terror (particularly in 2002 when I was blogging most actively and the war was new, not something that had been grinding on for a decade). I also wrote about music, sometimes like this (written, if I’m not mistaken, about Meshell Ndegeocello):

and reminded yesterday in the presence of an androgynous funk sorceress of the power of music. this is materialist mysticism. no gods. no beyond. no elsewhere. music, generated and evaporated in the flux of time. that we can spend our time this way, dancing, playing. and every religion on earth a construct, a convention. “would you walk the path of righteousness if you knew that there was no heaven, no god, no eternal reward?” many would hesitate; many more would simply walk the path, realizing that that too is one way to live here on earth, to reenact the dramas of faith, the carnival of belief. not believing is possible as well. knowing is possible. not knowing, also. but a bunch of humans together under the spell of music, the energy focused and broadcast through one particularly active node, nodding, funking, precipitating the flow. we’re in it too.

And once like this:

“war is their reality; music is their escape.” saw this on the side of a train this morning advertising some show about people in the military (the “service,” as it is called – they always say that soldiers “serve,” rather than “obey”). picture of a soldier with headphones pressed to his helmet. many consider music an escape, though, more accurately I suppose, you’d have to say that music is an “avenue of escape” or a “line of flight” [deleuze/guattari]. we escape through music to somewhere else. where is that place? different musics describe/conjure up different places/spaces. trungpa rinpoche wrote, “true escape is impossible.” that is, the escape afforded by music is a false escape. why? because it is stationary, insular, solipsistic. “in my head” [black flag] the statement should be reversed: “music is their reality. war is their escape.” music takes place in our heads, a construct of our minds. it is an escape only in the sense that sleep or dreaming is an escape. war, on the other hand, takes place “out there” in the world. in fact, it consists primarily of conquering and occupying territory, contesting or maintaining geographical boundaries, enforcing or preventing specific physical movements by actual human bodies. war takes us outside of our heads; it explodes heads (the true seat of music). war also sets aside every convention and expectation of civil society (the real reality for many). war frees the warrior, the soldier, from the inhibitions and codes of this society, in fact, often demands that he leave them behind in order to triumph in victory. in this sense, it is an escape, and its idolators have often celebrated it as a return to the origin, the essence, to reality in its realest sense, a liberation from the false fetters of civilian life. of course, there has always been a specific music of war and, in fact, the regimented beats of popular music are derived from the martial beats of war. so, in this sense, the reality of music is war and, again, it provides no real escape from it (since, at its core, it is an expression/extension of it). etc….

And where did this walk down memory lane lead me? First to the insight that some things haven’t changed much. I am still obsessed with music, metaphysics (“Why is there anything at all instead of just nothing?”), and ethics in a world without God. On the other hand, my thoughts dwell less and less on chaos, war (for the time being), and political paranoia.

Secondly, and this is sort of what this post is about, it pointed out to me how much I can forget about myself, about both what I have written over time (and I’ve been writing regularly and obsessively for more than 25 years) and how I have written. My style is tighter now, more focused (at times), and far less likely to veer off into the oracular. Remembering this latter tendency, however, I can’t help but feel its absence as a kind of loss.

The web is a memory bank. It remembers what we have forgotten, regardless of whether that forgetting was intentional or just the way things go. For this reason it can serve as a powerful tool for self-reflection and, when we’re lucky, illumination.

Of course, it also means that the web may be the only thing that remembers us after we’re gone. Indeed, to the extent that our web-published musings go unread and unnoticed, it may be the only thing that remembers us now.

PS. For the curious, the title of my post comes from the amazing Funkadelic piece, “March to the Witch’s Castle.” That song is about soldiers returning from Vietnam but also addresses the broader human problem of self-awareness in the face of trauma and time’s passing.

Death Metal is genre music. Its defining characteristics are complex riffing (with a sometimes equally complex approach to meter), “blast beat” drumming, and vocal stylings that range from deep grunting to “cookie monster” growling to maniacal screaming. Naturally, the lyrical content of death metal centers around death —its many causes, violent and otherwise, as well as its various physical characteristics and consequences— feelings of terror or menace, and the occult. Likewise, the genre’s visual palette consists of images of the dead, the undead, war, murder, satanism, heathenism, barbarity, all-pervading darkness, and a post-apocalyptic futurism replete with blasted landscapes and bio-mechanical weaponry.

While there are bands like Opeth or Enslaved who have pushed and prodded these generic attributes in many surprising and strange directions, if you are wandering the halls of the record shoppe (or browsing through iTunes) and you see a cd whose cover depicts necrophagia or some pagan or devil-worshiping atrocity and the name of the band is Baphomet or Entombed or, well, Necrophagist, then you pretty much know what you are going to get.

That predictability is the beauty of genre music. Like country music or reggae or acid house, death metal, in the abstract, “all sounds the same.” But as any lover of the genre will tell you, there are real differences between the greats and the innovators and everyone else.

Which is why I want to tell you about Portal.

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If you don’t have time to blog then don’t. Ghost blogging is inauthentic & the antithesis of everything social. #dontbeafake cc @mitchjoel – Avinash Kaushik

When I was in graduate school, there was a lot of talk about the “death of the author.” Such talk was driven primarily by French, post-structuralist thinkers like Barthes, Foucault, Derrida, Deleuze, and Lacan who had an intensely nuanced and complex notion of writing and authorship that tended to highlight the supra-personal in any putatively “personal” utterance or authorial gesture. Steeped in such thinking, I became very skeptical of attempts to say with certainty who the “who” is when we ask, “Who wrote this?”

Barthes et al. were responding to various French philosophical currents of the 20th century but especially, I believe, existentialism. Whereas existentialism had put the individual human being at the center of (an ultimately meaningless) existence, thus hoping to establish a new moral center following the death of God, the post-structuralists chose instead to show that the individual was not the center of anything but, rather, the effect of many things (language, culture, discourse, the unconscious, etc.).

The French were not the first or the only critics to suggest that the individual (sometimes called “the subject”) was epiphenomenal. Freud had certainly pointed in this direction when developing his psycho-analytic theories as had Nietzsche a decade or so before him, Marx a decade or so before that, and Hegel at the very outset of the 19th century. But even these gentlemen were not the first to insist on the essentially contingent nature of individual identity which, in one form or another, can be traced back to the teachings of Buddha and even the Vedic authors before him.

Which is all to say that when I read things like Mitch Joel’s recent blog post on “ghost blogging,” my philosophical buttons get pushed.

Conceding that there may be practical value to ghost blogging (“I get that people Ghost Blog and it works”), Mitch shows that his opposition to it is, more than anything else, a matter of faith. Like a Luther for the Twitterati, he writes, “I believe this one thought (and I will stand by it): corporate Blogs being presented as a personal space to share insights have a predisposed and inherent understanding that the person whose name is on it is the actual author.”

You see, Mitch is less concerned with the value of ghost blogging than he is with values or, as he puts it, “ideals” (“I do think that there are some commonly held ideals within Social Media”) which he also refers to as the “pillars of what makes something ‘social’.” These pillars being, “transparency, openness, honesty, human and real voices (not corporate mumbo jumbo) and a culture that embraces sharing between these real voices.”

In other words, Mitch is a moralist who even indulges in the classic rhetorical move of the moralist, the value-laden leading question: “Why is everyone who defends ghost blogging so afraid to state that ghost blogging’s first act is one of deceit and misdirection?”

The philosopher in me wishes merely to point out that expressions like “actual author,” “real voices,” “human,” “social” and so on are not unproblematic.

What, after all, is an author and how does an author, generally speaking, differ from an “actual” author? What makes a voice “real,” particularly when we are talking about written texts (blogs) where the notion of “voice” itself is metaphorical? What attributes belong to the category “human” and what happens when “humanness” is invoked as an ethical category? Since when is the “social” defined by “honesty, transparency, and openness” rather than by concepts like “convention” or “conflict”? Etc.

I’m not sure that Mitch Joel is interested in the history of philosophy, let alone the history of the “ideals” that he invokes. Indeed, I’m fairly certain that he would dismiss my argument—that, in essence, concepts like authorship, or authenticity for that matter, are over-determined, social constructs which in no way represent uncontested, universal values—as equivocation. I am, after all, a ghost blogger whose work goes undisclosed by my clients. Thus, in the eyes of Mitch Joel, Avinash Kaushik, and others, I’m an aider and abettor of unreconstructed frauds and deceivers.

In my “defense,” and in answer to Mitch’s inherently unanswerable question (shades of “How frequently do you beat your wife?”), I would say that, if I am afraid to state that my first act every morning is one of deceit and misdirection, it is because I fear saying something that I do not consider to be true. Rightly or wrongly, I actually believe that the people whose bloggings I facilitate are the “actual” authors of the posts that I produce. The ideas are theirs, the “voice” is theirs, the blog is theirs, etc.

That being said, on a “human” level I resent the jargon of authenticity which pervades social media. When someone says, in the imperative voice, “Don’t be a fake,” I bristle. Why? Because I find the division of human actions into “real” and “fake” itself dehumanizing. Where does the notion of “authenticity” come from anyway? It is a term of trade driven by the desire to differentiate the genuine from the counterfeit so that an item can be assigned a monetary value. “Authentically human” is just another way of saying “Genuine leather.”

When we demand that humans be “authentic,” or criticize them for being fake, it’s because we have reduced them to the status of commodities. In fact, I believe that the social media, rather than humanizing marketing, as Mitch Joel and others have long hoped, have in fact completed the total colonization of human thought and affect by market forces.

Given the absolute assimilation of our lives by the new media, down to the most trivial whims (“I just ate a donut covered in bacon!” “I hate Justin Bieber”), isn’t it possible that the only way to hang on to our humanity is through masks, personae, and “ghosts”?

Or, in the immortal words of Robert Plant, “When you fake it, baby, please, fake it right.”

Image Source: Nick Wheeler.

In America, and apparently some parts of the developing world, it can be very shocking when you tell people that you do not believe in God. Indeed, even among America’s educated classes, you’ll rarely hear an expression of outright atheism (though you will encounter a fair amount of agnosticism).

I asked a friend once why this was and he replied, in effect, that people claim to be agnostic mainly because they are cowards. At first I thought he meant that they, like Pascal, were basically hedging their bets. I mean, what if they’re wrong? Better not to commit either way.

Now I believe that he was pointing instead to their fear of communal opprobrium. Agnostics don’t fear God, after all (if they did, they wouldn’t be agnostics). The only thing they have to fear is Believers.

For my part, I’ve tended to be fairly forthright about my atheism. I do not believe that God exists. At the same time, being of a rather philosophical bent, I’m not entirely comfortable with that manner of expressing things. Why? Well, it all depends on what your definition of “is” is.

You see, we humans tend to have a pretty strong physical bias when it comes to “existence.” When we say that something exists in the course of daily conversation, one can safely assume that we mean “physically” exists. And to the extent that we are particular in questions of fact, we have some fairly rigorous and straightforward standards regarding proof of physical existence.

For example, one should be able to supply fairly precise coordinates of an existing entity’s location in space if one wants to definitively claim that it does indeed exist. One should also be able to specify it’s mass, its physical dimensions, and so on. (In the case of those “objects”—electrons, black holes, photons, etc.—for which precise location or exact mass, among other things, may be difficult to establish, we have mathematical models and experimental procedures that provide a great deal of circumstantial evidence from which existence can be reasonably inferred, if not postively demonstrated.)

Unfortunately, the existence of God doesn’t lend itself to such procedures and demonstrations. If it is argued that the reason for this is that God does not exist “physically,” then I must respond, “Well, then, in what sense of the word ‘exist’ does God exist if not in the physical sense?”

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Philosophy simply puts everything before us, and neither explains nor deduces anything. – Ludwig Wittgenstein

“Epistemology pays no bills,” Martin remarked drily. – Charles Stross, “The Singularity Sky”

When I wrote about the “database of intentions” and linked that concept to my own longstanding view of the web as the “database of human consciousness,” and thus the fulfillment or actualization of Hegel’s Phenomenology of the Spirit, I was not trying to make a business point; I was trying to make a philosophical point.

By making a distinction between the two, however, I do not mean to elevate the latter (philosophy) above the former (business). In fact, I was mildly chagrined that my arcane references to a long-dead philosopher and the equally deliquescent tradition of German Idealism with which he is associated bore so few immediately practical fruits. A few kindly souls actually took the time to read the post, so where was the pay off?

While I would like to say that “philosophy is it’s own pay off,” I actually believe that philosophy’s pay off is always and necessarily extra-philosophical. As the  the epigram to this post suggests, by “putting things before us” philosophy’s product amounts to “a perspective on things,” rather than any “thing” in particular. Wittgenstein put it this way: “One might also give the name ‘philosophy’ to what is possible before all new discoveries and inventions.”

Heidegger too insisted on the “no-thing-ness” of philosophical thought. To him, thinking was unique as an human activity because it did not truck with beings, but solely with Being (Sein), which he called “essentially the same as Nothingness” (wesenslgeich mit dem Nichts, or something like that).

But the case of Heidegger reminds us that philosophy’s product – a perspective on things – while not belonging properly to the order of things  can nevertheless have a tangible impact. A philosophical perspective not only shows what is there, but what is possible and, in some cases, what is necessary. When these things, possibilities, and necessities get organized into practices, philosophy has its pay off and that pay off could take the form of a religion, a political system, a life-style, or even a business.

Of course, in all these just-mentioned cases the work of organizing is what produces the real value, not the work’s philosophical underpinnings. The value of philosophy is always mediated. In the absence of this mediation, philosophy is as bereft as the coin of a vanished realm or lyric poetry in a dead and forgotten language.

Image Source: danbri.